The Guardian’s Northern Ireland page has nearly a dozen articles right now related to Lyra McKee, the journalist shot dead by the so-called New IRA on Holy Thursday. (here, here, here, here, here, here, here, here, here) I’ve got several different kinds of grief over this murder that I’m not sure what to do with.

I think credit goes to Belfast TelegraphMany are expressing hope that in the wake of her death, some collaboration might occur between the various groups in NI and that perhaps the political parties will see through their differences and get something done. Talks between the DUP (the party that’s also propping up Mrs May in Westminster) and Sinn Fein broke down almost two and a half years ago and the province has been without a government ever since. (Though it seems talks may yet happen. Link at the bottom.)

I’ve been jabbering in support of Irish unity for decades, generally without enough of a grasp of the history or of human nature to make more than an emotional dent in the matter. Today, however, I say that the New IRA, the Provisional IRA, the straight-up old-fashioned IRA and any other group using terrorist measures to achieve their goals have got to go.

First: These measures don’t work. All through the Troubles and even in the 21 years since the Good Friday Agreement, these organizations (with the help of Unionist groups, don’t get me wrong – ain’t no love lost between me and the folks who foist Marching Season on us every year) have only succeeded in keeping much of NI from seeing any kind of dividend from all the years of fighting. (Note my earlier comment about my grasp of all the history surrounding this being weak. I can analyze the bejesus out of James Joyce, but I’m honestly buggered if I can makes sense of the last 200 years in Ireland.)

Second: I know that the immediate (hypothetical) disappearance of these groups will do nothing to heal literally hundreds of years of pain associated with the occupation of Ireland. Occupation. Complicated word, that. Civil War? Police Action? This is too short a rant to address what the situation should be called. I’m pretty sure that dissertations have been written on just that.

What has to go is mealy-mouthed bull like that coming from New IRA. The statement quoted by the Guardian reads:

“On Thursday night, following an incursion on the Creggan by heavily armed British crown forces which provoked rioting, the IRA deployed our volunteers to engage. We have instructed our volunteers to take the utmost care in future when engaging the enemy, and put in place measures to help ensure this.

“In the course of attacking the enemy Lyra McKee was tragically killed while standing beside enemy forces. The IRA offer our full and sincere apologies to the partner, family and friends of Lyra McKee for her death.”

This won’t do. It simply won’t do. ‘Our volunteers’ killed indiscriminately. ‘Our volunteers’ went heavily armed into a riot zone and started firing, but couldn’t figure out how to hit the ones wearing the uniform of their enemy. And fired enough rounds that recordings show someone picking up shell casings.

This won’t do. Peace at this late date doesn’t come through the cowardice evidenced by this statement.

And what else won’t do? In the event the goals of the various IRAs are actually met, I’d like to believe that the government of Dublin would do its own utmost to make sure these folks hold no position and that the ones who lead these volunteers will see justice.

I probably hope beyond hope.

I composed the text above a few hours ago and now see (also in the Guardian – honest, I do read other news sources) that a deal has been reached for further power-sharing talks. As I say, hope springs eternal.

Where the Dark and the Light Mingle, the debut album from San Francisco’s Gutter Swan, is a song cycle of covers from across what might be called the Americana tradition. Themes of yearning run through all of the tracks, tinged with the seduction and aftermath of indulgence.

The arrangements are deceptively simple. Loryn Barbeau employs the slightest twang in voice which suits the song choices well. Guitarist Steve Egelman pulls gorgeous melodies out of a six-string.

Wayside/Back in Time and Oxycontin Blues (and later in the album the medley of Carole King’s Way over Yonder and Joan Osborne’s Saint Theresa) delve into the desire to be back in a time before addiction took hold. Simple Man gives us just the heart of the rocker from Lynyrd Skynyrd debut album, transforming the plea for a child’s happiness almost into a prayer. Appropriate given the line, “All that you have is your soul.”

All that need be said of C’mon Billy is that Loryn and Steve do PJ Harvey proud.

The first of two Richard Buckner covers, Oscar Hummel, features another straightforwardly beautiful vocal that belies the violence of the lyrics of a lost traveler who mistakenly finds the home of his enemy. (A search reveals that the lyrics are from Edgar Lee Masters’ Spoon River Anthology, a collection that consists of stories told on headstones.)

This is followed by Beekeeper, a song possibly narrated by a less dead Oscar Hummel ‘You all say I’ve crossed a line, but the sad fact is I’ve lost my mind…All I want is to be left alone, tact from me is like blood from a stone.’

I’m not sure I have a favorite track on the album, but Vocal (supplied by Norwegians Madrugada) is the tale of a possible suicide to which Loryn brings these breathless phrases. Just listen to how she sings ‘Dare not walk through the liiiiight,’ in which light is both salvation and death, howled and then almost whispered as the song ends. *Shudder*

The headlong rush into desire and addiction is best expressed here by their approach to TV on the Radio’s Wolf Like Me. The harmonies in which our narrator is a (were?) wolf seducing red riding hood balance on some sweet fingerpicking. The faster pace on this song is a nice balance to Vocal’s near dirge-like pace.

Way over Yonder/Saint Theresa positions Saint Theresa, another song of an addicted hooker longing to be on the other side of whatever life is offering against a more ambiguous longing for a simple escape. Way down in the hollow is a long way from Way Over Yonder.

gs-wtdatlmWhere the Dark and the Light Mingle concludes with Richard Buckner’s Desire, in which our narrator is done with their last partner, having said too much and too drunkenly, ‘shot my insides out with grief and Mr. Kessler’ and just needs to hit the road. Fed up with life and death and lust and addiction, the road beckons.

Gutter Swan’s two members capture the gauntlet of life, death, love, need, and bit of the supernatural, and so many of the various ways we subvert and support these things. As a collection of songs that work individually, the album succeeds, but it excels as a story. Folk blues, country, singer/storyteller songs woven together. Using such disparate and desperate sources makes something far more compelling than the individual tracks.

I know that everything I write about below is much more complicated than I present. Please keep this in mind.

ETA: The population of Northern Ireland is complicated. I use the phrase ‘majority English’ below, but the colonisation of NI includes a lot of Scots (known as Ulster Scots) who were granted lands confiscated from fleeing Gaelic nobility in the early 17th Century. My English brother-in-law indicates that refusal to grant the Ulster Scots language equal footing with Irish Gaelic is a sticking point in the peace process.

The situation in Ireland with regards to the backstop and one part of the island belonging to the UK while the rest of the island is its own republic exists because of history, that nightmare from which it is increasingly difficult for any of us to awake. At the time of Irish independence, earned by a full-on uprising before and after WW1 (and put on hold so the Great War could actually be won) , the six counties in the north (two thirds of the province of Ulster) voted to stay in the UK based on the fact that they had majority English population. This is a remnant of 250-plus years of English colonization of the island.

Oliver Cromwell went over in the 1600s to subdue the Catholics. Cromwell wasn’t just a protestant of the high church Henry VIII C of E variety – Catholic in all but name, but a Puritan. He’d shown his animus towards Catholics by engineering the beheading of England’s Catholic monarch, Charles I. (Dante might have placed Cromwell in the ninth circle of Hell, reserved for traitors.) So from sometime in the 17th century through the 19th, Charles Stewart Parnell notwithstanding, the English had been subduing a different nation – the same as they’d done with Scotland. (The Acts of Union with Scotland were enacted in 1707 and are also a really complicated matter. The Acts of Union with Ireland were enacted in 1800.)

All of that said, there was apparently enough fear or some such witlessness in what became Northern Ireland, that the peace deal included leaving six of Ireland’s 32 counties in the UK. The engineered Irish Famine of the 1840s and 50s also had something to do with the population imbalance. Engineered? Yes. The majority Catholic population were barred for two centuries from owning or leasing land and only in 1829 could they sit in their own parliament. The landowners exported the food that could have fed the native population during Black ’47 and the years that followed. You can read up yourselves on the mass evictions of Irish tenants by English landowners at the time. Is it any wonder a million emigrated and another million died?

So after the partition and the independence of what became the Irish Free State and later the Republic of Ireland in 1921, there are still factions wanting to unify the entire Island as the Republic of Ireland. The IRA is part of that. Sinn Fein is another (and often referred to as the civilian arm of the IRA). Yes, terrorists, we know. We’ve seen the movies. Friends and family of mine lived through some of the attacks on English soil in the 1980s. It’s not as though the Irish didn’t/don’t have a grievance though. I always point to the beastliness of Marching Season – that period of each year when when the Orange orders – protestants – in Scotland and Northern Ireland march through Catholic neighbourhoods to commemorate William of Orange’s victory in the Battle of the Boyne in 16 effing 90.

This is an obvious extension of the cry one hears these days that “we” won World War II, we can survive Brexit. ‘”We” were victorious over the Catholics 330 years ago, so we get to shove it down their throats now.’

If some merry band of undereducated nationalist shits did that in my back yard each year, I’d feel like terrorising them back as well. So now we have this situation where 20 years after an agreement was worked out to bring some measure of peace to the island, there’s a very good chance of it all falling apart. Just as America has the very small Mitch McConnell blocking legislative progress, this situation has the very small Arlene Foster, whose Northern Ireland DUP is propping up Mrs. May’s government, blocking the possibility of moving forward with a relatively peaceful solution. (She has help, of course, from May, and Corbyn, and a large number of people who will get very rich once the UK is out from under the EU’s regulatory heel.)

Yeah. The Democratic Unionist Party. Founded by Ian Paisley, a man who made his name by opposing Catholic civil rights in Northern Ireland, and in fact opposing any kind of peace process (including the Good Friday accords) and who refused to share power with the Catholics for nine years after the accords were signed. The DUP is also involved in the creation of two paramilitary units to oppose the peace process. Not really folks who have the best interests of the peace-loving members of the Northern Irish populace at heart.

The peace established by the Good Friday Agreement was earned in part by softening the border between Northern Ireland and the Republic. Possible because the sides are (for a few more weeks at least) both members of the European Union. The border, which as a few have pointed out, runs down the middle of streets and in some cases through people’s houses, is porous enough that people from each side go to work on the other – without border checks, which of course were common in the years before due to there being terrorist factions.

Make some kind of peace with the group at war, and many of those problems go away. Take the peace away – by exiting without actual plans from the organization that brokered and helped to maintain it – and the problems come back, especially when nothing has been done to redirect the energy of all that Marching Season implies.

Do I need to mention the idiocy of the BBC’s John Humpreys asking Ireland’s Europe Minister Helen McEntee why the Republic doesn’t rejoin the UK?

I met a woman from Dublin last week who is of the opinion that she *might* see a unified Ireland in her lifetime. That’s been my hope, as an amateur Celtophile, for decades. There are those for whom the hope of a united Ireland has been the hope of centuries.

England’s colonies, of which Ireland was obviously one, are former for several good reasons. None of those reasons include England leaving because staying was wrong. England has always outstayed her welcome and with the betrayal that is Brexit, she has outstayed her welcome on the last bit of the Emerald Isle she yet holds.

Links:

Donald Tusk: ‘special place in hell’ for those who backed Brexit without plan
Brexit: May’s pledge on Irish border threatens to reopen Tory rift
Ireland dismisses suggestion it should quit EU and join UK
https://en.wikipedia.org/wiki/Battle_of_the_Boyne
https://en.wikipedia.org/wiki/Acts_of_Union_1707
https://en.wikipedia.org/wiki/Acts_of_Union_1800

(ETA: My friend Kevin added the following: ‘I am somewhat surprised you limited this to those affected by his ignoring AIDS. His policies in Central America, both under Reagan and on his own, went far further than was revealed in Iran Contra and resulted in untold deaths, mass impoverishment, and the overthrow of legitimate governments by USA backed and armed narco cartels who persist to this day.  Lastly we can point out that Bush and William Casey were responsible for the perpetuation of the Iranian hostage crisis, which cost Carter the election.’ These things are absolutely true, and any one of them could have earned another 500 words. The AIDS crisis struck closest to home at the time and is much in my thoughts these days for other reasons.)

I’ve been thinking about the death of George Herbert Walker Bush and why I won’t ‘dignify’ his memory by keeping silent. By 1988, HIV had been identified as the source of AIDS and AIDS had been named for three and five years respectively. Bush had remained silent the entire time, as had his predecessor, Ronald Reagan. (Reagan’s silence, even as friends of his such as Rock Hudson died, was despicable enough.) When ACT-UP and other gay groups protested in forms of extreme street theatre and were arrested for it, they were working in the same realm as the Freedom Riders two decades before, and playing for similar stakes. The people who risked and suffered violence and arrest at the hands of police forces coast to coast in many cases could have lived relatively quiet closeted lives, but as soon as they put themselves on the line for queer causes, they risked being disowned by their families (as the price of coming out had always included), firing, often their entire livelihoods. (This is why Harvey Milk pushed for all gays and lesbians to come out – to make it impossible to ignore that we were everywhere.)

s-e-dThis was a fair risk because their friends were dying. (I would so love to be able to say that I took the risks, but I lived safely then and rarely demonstrated, and generally only when it was safe. I won’t rewrite my own history.) Friends and lovers were dying horrible, lonely, painful deaths. Let’s not forget that the opportunistic infections associated with AIDS were slow and had few treatments. And there was no cure on the horizon.

As the leader of the free world, Bush had the responsibility and the duty to speak out, But, I hear you say, it wasn’t politically expedient to do so.

No, butt the crimes and death that result from political expedience are unforgivable. Instead of standing up and saying These are our brothers, sisters, sons, and daughters, he declared a whole segment of the population ‘Other’, a nuisance, and therefore disposable. That nuisance continued to die on his watch at an alarming rate. When he took office over 82,000 cases of AIDS had been reported in the US and almost 62,000 had died of it. When he left office in 1993, those numbers had increased threefold in the US alone. In his time in office, and in the succeeding quarter century, Bush has always been unwilling to stand up and own up and repent and do some kind of good work in this regard.

When his own Department of Health and Human Services produced a report on teen suicide that included the specific risks of gay and lesbian youth, Bush caved to far right groups and suppressed the report. The report was only released when its findings were leaked.

Bush’s successors have blood on their hands too, and I’m not willing to give them a pass, either, but in this moment of hagiography, I must say no. The man was not a saint of any kind. When the crisis was in its infancy, and leadership was required, he continued to do what was expedient. Were I the sort who believed in such things, I’d say that Hell had prepared a room.

ETA: The Rude Pundit has a column on this matter that’s a whole lot less nice than mine.

And Nothing Hurt – 2018
Oh, man. Have you heard the new Spiritualized album? Dang.

My opinion is that it’s the best work Jason Pierce has done since about 2003’s Amazing Grace. Mind you, the peak is still 1997’s Ladies and Gentlemen We Are Floating in Space. If our scale is 1-10, then Ladies and Gentlemen is a sold flawless 10 (a 14 or 15 in comparison to even the best albums out there, just not in terms of this band). That’s the gauge. Let it Come Down from 2001 and Amazing Grace come in at 8 or 9. The goal with the latter was to pull away from the excesses of the previous two. (Let It Come Down, for example, took four years and 115 musicians to record.)

2008’s Songs in A&E was recorded in the aftermath of Pierce’s near-death experience with pneumonia and respiratory failure, though mostly written before that. 2012’s Sweet Heart Sweet Light was mostly written on medication for liver disease and suffers, oddly, from both lyrical and arrangement-related excesses. Even still, these are both solid 7s on my Spiritualized scale.

But both are, in my opinion, fairly tame. The new album, however, nails all the best things about Spiritualized in one gorgeous package.

Spiritualized-And-Nothing-Hurt-1528723857-640x640Now, this is the thing about Spiritualized – They (Pierce and whoever he ropes in when he’s ready to work) do a crazy amalgamation of soft balladry, krautrock-inspired drone, psychedelic space rock, and straight-up rock and roll. Sometimes in one song, but usually over the course of an album. And they’re not the only band that takes this kitchen sink approach – but they may be the only one these days to do it so successfully. They’re sort of like the Grateful Dead – the only band to put all these disparate pieces of rock and roll history together and make it work. Anyway, And Nothing Hurt is the return to form I’ve been waiting for. From the ambivalent sweetness of A Perfect Miracle through the nearly eight-minute rampage of The Morning After, to the gospel closing of Sail On Through. Thematically, there’s love, lust, abandonment, road tripping, and suicide, but what’s most touching is the combination of themes in single songs. A Perfect Miracle and I’m Your Man both combine the desire to love and be the best partner with admissions of both past and future failure threaded through. ‘I could be faithful, honest and true…but if you want wasted loaded, permanently folded…I’m your man.’

Here It Comes (The Road) Let’s Go sounds from the title and the opening twist of an AM radio knob like it should be a tale of an actual road trip, but it’s simply directions to a partner to drive ‘a couple of hours’ to visit where ‘we’ll get stoned all through the night’. Looking about on YouTube, it seems this song dates from the Sweet Heart Sweet Light tour on which it was performed in pretty much the same arrangement. Musically, it’s probably my favourite song on the album.

Let’s Dance builds from a slow piano figure as the narrator tries to convince a girl to dance as the bar they’re in is closing up, ‘The hour is getting late / They’re putting all the chairs away’, but ‘if they’ve got Big Star on the radio, they’ll let us stay’. Gotta love a Big Star reference. And this is another one that’s been gestating for a while. There’s a little viewed live video from 2013 with somewhat different lyrics.

And with On the Sunshine, the album kicks into a higher gear. Yeah, it’s another drug song (‘you can always fix tomorrow what you can’t pull off today’) but powered by organs and horns and without much of a bridge, it just barrels into your ears as sweet as can be.

And then Pierce pulls it all back with the lullaby Damaged. Lyrically, it’s Pierce’s narrator (again – this is a theme across many Spiritualized albums) laying the blame for his unhappiness on a lover who’s left, ‘Darlin’ I’m lost and I’m damaged / Over you,’ but the combination of piano, strings, and fuzzed guitar behind Pierce’s sadness bring all his pain to the fore.

But, then there’s the rocker, The Morning After. Of course, the rock and roll is subverted by the lyrical subject, another Jane (see Sweet Heart Sweet Light’s Hey Jane, for example) who decides her parents are the problem and decides to ‘hang herself up by the bathing pool’. Musically, it kicks right in with a Velvet Underground riff, to which a horn section is added and by the song’s midpoint, it’s moving into free jazz territory.

The album closes with two more slow pieces, The Prize and Sail on Through. The first of these is a lovely waltz in which our hero addresses his love over and over saying I don’t know if I should stay or go or if it’s too late to say goodbye. As is often the case, the objective listener is pretty sure the narrator isn’t himself a prize catch, but the intonation is so beautiful that it may not matter for a while. And in the end, Pierce brings it back to the opening with a direct admission that he doesn’t need the object he addresses:

I tell no lie, I tell the truth
You know I just don’t need to be with you
If I could hold it down
I would sail on through for you
If I weren’t loaded down
I would sail on through for you

There’s no more ambivalence, just resignation. Over the closing, notes, we hear the Morse code found on the cover for the album’s title. Having let go, nothing hurts anymore.

On the original issue of Ladies and Gentlemen We Are Floating In Space, the title track quoted Elvis Presley’s Can’t Help Falling In Love both lyrically and musically. The Presley estate objected and later pressings used a remix of the song without those references, though they’re restored on later pressings still. I mention this because the two-note phrase that opens A Perfect Miracle is also lifted from that song, a little gift for music geeks like yours truly who obviously live for that sort of thing.