Without too much comment, this is what I read last year. Mostly sci-fi/fantasy. I tend to read for amusement when I go to sleep and sometimes on the train in the mornings on the way to work. And in the middle of the night. My preference for midnight reading is for very light as I'm prone to nightmares. Hence there's not much that's too heavy…
Books 2017
1. The Locksley Exploit by Philip Purser-Hallard
The second book in the Devices Trilogy, a modern setting of the Arthurian conflicts with a heavy helping of Robin Hood. Quite good stuff.
2. Written in Dead Wax by Andrew Cartmel
Humourous mystery with interesting notes of vinyl addiction for those who collect records. Apparently it's the first in a series, but I didn't feel the need to buy the next ones.
3. The Red Thumb Mark (A Dr Thorndyke Mystery) by R. Austin Freeman
Thorndyke was an early Sherlock Holmes knockoff narrated by a Dr. Watson knockoff. The collected works might have set me back 99p.
4. Katherine by Anya Seton
One of my sister's and #1 niece's favourites. Well-researched historical romance about the mistress of John of Gaunt who was the ancestress of several centuries of English monarchs.
5. Year Zero by Rob Reid
Another cheap sci-fiesque read that might have been a Humble Bundle purchase. Amusing tale of Intergalactic music copyright infringement.
6. False Covenant by Ari Marmell
The second Widdershins novel – good, but I was bummed that he killed off a character I really liked. So bummed, that I decided not to move on to the next.
7. Parable of the Talents by Octavia Butler
8. Parable of the Sower by Octavia Butler
Really good speculative fiction about the origins of space travel with a good dollop of dystopianism that looks like the early Trump years. Scary as heck.
9. Aftermath – Life Debt by Chuck Wendig
The second of his novels that bridge episodes six and seven of the Star Wars saga. Good stuff.
10. Moonglow by Michael Chabon
Latest offering from the author of Kavalier and Clay. Narrator tells of his grandfather's adventures in WW2 and the early atomic/space age. Four stars.
Read the rest of this entry »

Last week, my partner and I went to the movies in Telford. Having booked tickets for about £34 on nearly a whim and driven 40 minutes on a wet night to get to the theatre, I can suggest that we're not hurting. The same cannot be said for a woman we passed between the parking lot and the entrance to the multiplex. She was underdressed for the weather, was missing a front tooth, and sat under an umbrella with a cup. She told us she was trying to raise £18 to get a bed for the night. We could have covered that amount without thinking twice. Partner gave her two or three pounds as she had change which I did not. I bought her a sandwich and a cup of coffee from the Starbucks inside, because I could feel good about buying her some sustenance.
There's a subconscious mental juggling act in which I think I'm supposing she should work harder to get a roof over her head for one December night rather than just having it.
I've equivocated that sentence because I'm afraid of articulating just what goes on in my head when I give a homeless person less than what they need to get to the next step. The personal calculus is that as an individual, I don't have the ability to adopt every person on the street. And I extend that to 'or even one person on the street'. And in the family that consists of my partner and me, the calculus is that we don't want children of our own or even to adopt or foster. There's a selfishness to it, to be certain. And an unwillingness to examine just what it would take to abandon our plans to pay off our house and have the retirement plan that we want. We both know how very lucky/blessed we are to live the way we do, but not to the extent that we extend that luck too far from ourselves.
I vote and I donate to campaigns of politicians who seem to think the way I do about how the future should look, but in the end, they're politicians and they vote in favour of much larger sums of money than I represent. And in the US and the UK the ones who profess support for the underclasses are in the minority. Again. (Note: When the left holds the majority, they're only slightly less mendacious. I'm not blind in this regard.)
My job is still fish. (And your job as well, I trust.) The problem is still how to get fish to people. I give irregularly to charities that seem to be doing this work and every year I say to myself that I'll make this more regular. Every December a local food bank does a drive at my local supermarket for one day – my guess is that they go for one day to each of the big supermarkets – and on that day I buy 30 or 40 euros worth of stuff off of the bank's want list. While that's definitely regular, it's not enough. (Note: I'm in England at the moment and spending pounds, I grew up in the US, and I live in the Netherlands.)
In between, I send some money to this charity or that charity as the whim hits me and pledge each January to make it a more regular. So I write down some random thoughts on the matte and make a note to make a note to do something about it. As soon as I finish writing this, I'll create a calendar entry that will repeat on the first of each month to give some group or other some money or fulfil something on that group's amazon wish list. (One group I support sometimes is London's Breakfast In A Bag who have an ongoing list of things they provide to those sleeping rough.) As noted, this kind of thing is really easy. There's much harder work to do and I don't have the slightest where to begin.
I visited Oakland, California where my sister and her family live (and where I lived about twenty years ago) and the homelessness has gone off the charts. People who have spent decades in public service probably have some ideas about the solutions needed, but as noted above, there is no political will to help people who don't vote with deep pocketbooks. These are the folks with no pocketbooks at all left.
Our jobs are not judgement. The jobs are fish. Some of us have fewer fish than others, but I have a feeling that everyone reading this has more fish than they need. Give more fish.

So Sunday night’s adventure (as you might have noticed) was the last three acts on the Southern Lord Records Fest at Melkweg, Magma, Unsane, and of course Sunn O))) (being the folks who started and run Southern Lord).

Magma are curious blend of jazz and hard progressive rock. Under various lineups that have only the constant of drummer Stephan Vander, they’ve been doing the work since 1970. Interesting and compelling stuff.

sunn_melkwegUnsane are one of these crews I wish I’d gotten into a long time ago. They’ve been on the circuit for almost 30 years. Hard and sludgy, Unsane have musical elements in common with early Nirvana and Big Black and to a lesser extend The Melvins. When you get folks who’ve been doing the work together for almost 25 years (the current line-up solidified in ’94), there’s a joy in hearing and watching them lock together. (Note to San Francisco / Bay Area friends: Unsane will be at Bottom of the Hill on 1st December. You should go.)

Sunn O))) are a different thing altogether. They perform more as ritual than as rock and roll. The fog, the volume, and the robes the band members wear contribute to this vibe. Vocalist Attila Csihar took center stage and, for want of a better word, intoned for about ten minutes to increasing volume and fog before the other band members (guitarists Stephen O’Malley and Greg Anderson, and two people working keyboards.) For all the flowing of the sound between the instruments and the vocalists, it seems to be a pretty tightly constructed set these days. (Alas, while I recognised various pieces, I couldn’t tell you what they’re titled.) I’ve seen them once before, at Paradiso on the Monoliths and Dimensions tour and the most interesting aspect of the gig was noticing a brass instrument on the stage and being afraid of what they might do with it. (The volume at a Sunn O))) is such that you both hear it and feel it in your bones.) I don’t recall that anyone did anything more than brandish it. There was a trombone stood next to one of the keyboardists, stage left, and it added a lovely counterpoint to one of the pieces. However, as with last night’s gig, I had to leave early not to be on the very slow train back to Leiden. One of these days I will witness one of their gigs to its conclusion. All in all, a great set.

Sadly, I rushed out in order to make my train and didn’t stop at Unsane’s merch counter at all. And I didn’t have my wits about me at Sunn O)))’s. I bought a t-shirt and a vinyl copy of Kannon (their very beautiful 2015 release). I should also have bought a vinyl copy of the 2008 live album Domkirke.

There’s nothing political in this one, except an admission that I’m well aware of how privileged I am to be able to take a two+-week vacation in a nice country and do next to nothing.

Note also that these notes get a little repetitive. Apologies in advance.

Holiday – 25 August – 10 September 2017
25/8 – Flew to Split, taxi to our AirBnB – probably got ripped off a little by the cab driver, but not enough to sweat. Airport is very small – saw JayWay Travel’s man on the ground, but he was gone by the time I thought to say hi. Had lunch in the centre near (in?) the palace at one of Charlie’s recommendations. R had a really nice tuna salad and I had a tasty steak sandwich. We wandered the old centre for a little while – identified the location of the old synagogue, but it was not open (not surprisingly). Had supper at Apetit, another recommended joint where I had beef and R had fish. Aside from the astounding quality of the mains, the olives were divine. Saw a band play some cool rock and roll by the waterfront for a little bit. Also nice.

26/8 – Explored the palace some more, got my hair cut. Breakfast at Galerija – R had shakshuka and I had a really nice chia pudding with mango. Visited a church and the underground part of the palace (part of which was used as a Game of Thrones location – lots of those in Croatia). Supper at Mazzoon – we both ate ratatouille. Nice. Window shopped a little, but didn’t buy anything.

27/8 – Breakfast at Banana Split, just a bit downhill from our apartment and then packed our stuff and got the hire car. Two stops on our drive to Starigrad – Klis fortress which was another GoT location (and a good hike up a hill) and to some lovely waterfalls just south of Zadar in Krka National Park. Getting to the waterfall involved a nice hike, but then we could bathe just in front of the falls. Very cool. Arrived at the hotel in Starigrad at about 7, dropped our gear, and walked across the street to Degenija, a restaurant owned by the family of one of my colleagues. I had the mixed grill and R had fish. Well pleased. (We went back four times, I think.) Josip’s aunt, who runs the place, and his cousins had already returned to Zagreb, so I didn’t get to meet them. By the time we got back to the hotel, several coach loads of English people had arrived to share the holiday with us.

28/8 – Got up early and ran 4.4km up the road before 9:30 orientation. Mostly relaxed after checking out the things on offer. R did some sailing theory and then we had cocktails at the sky bar at sunset. Read the rest of this entry »

Brian Eno – Here Come The Warm Jets – 2017 half-speed master reissue.
When I first purchased this album on CD in 2002 or so, I knew three of the songs. Driving Me Backwards and Baby’s On Fire appear on the Ayers/Cale/Eno/Nico live album (which I originally purchased for the Velvet Underground connection, not the Roxy/Soft Machine connections). Album opener Needles In The Camel’s Eye is used over the opening credits of Todd Haynes’ criminally underrated Velvet Goldmine.
eno_jetsAnd there’s a reason Haynes used it: That opening rush of instrumentation (which accompanies a rush of glam-rocking teenagers chasing a pop star) pulls the listener right in. The intrigue doesn’t let up through the album’s 42 minutes. Lyrically, it’s almost all (in the words of Blank Frank) incomprehensible proverbs, but musically it’s a gorgeous grab-bag of styles, the way the best glam albums were back in ’73. This new remastering does a wonderful job of separating the musical components so that you can hear the strange fuzzed out guitar on the title track as something separate from the drums, keyboards, and the vocals (which are still too indistinct to figure out).
Aside from those songs, I mostly knew Eno for a lot of non-pop work – ambient work like Tuesday Afternoon (and Music For Airports), production jobs (U2, Devo, Bowie), and his collaboration with David Byrne, My Life In The Bush Of Ghosts. And as I write that, I realise I knew bits of 801, Bauhaus’ cover of Third Uncle, and a good bit of the first Roxy Music album. I’m pretty sure I bought Roxy’s debut the same day I acquired Warm Jets and, for the same reason – a bunch of its songs are used in Velvet Goldmine as well.
I wish I could be more articulate, but there’s nothing about this album’s 10 tracks that isn’t insanely cool. Occasionally I find myself annoyed with albums on which each track is faded out, as if neither the musicians nor the producer knew where the song ended. HCTWJ is the opposite – every track knows what it’s doing – there are crossfades between songs – like how Some Of Them Are Old weaves right into the the title track at the end of the album. On Some Faraway Beach (the original opener of side two, here the opener of side three), a slow piano-based track which ends abruptly on a strange but clear keyboard run is followed by rocker Blank Frank, but the transition between them has always felt absolutely purposeful to me. Blank Frank is another revelation here in terms of the clarity of the instruments. Keyboards and drums and guitars all seem to be in competition, but they’re all winning. Oddly, this song does fade out, but over only five or six seconds. The martial drums that anchor the next track, Dead Finks Don’t Talk (apparently a kiss-off to Bryan Ferry) work their way through some very strange guitar work before surrendering to a blast of distorted synthesizer which concludes just where it needs to.
Two thumbs up. Go buy it.
(Eno’s other three mid-70s rock albums, Taking Tiger Mountain (By Strategy), Another Green World, and Before and After Science have also been reissued on vinyl with the half-speed master treatment. I’m sure those are tasty too, but I don’t love those albums quite as much as I love this one.)