I’m on my third read of Melville’s classic and also listening to The Moby-Dick Big Read. At around 3AM, I came to a favourite chapter, Stubbs’ Supper, in which the second mate drags Fleece, the ancient black cook out of bed to cook up a steak sliced from the journey’s first catch. The whale is secured to the boat and already being dined on by sharks. Stubbs orders Fleece to preach to them.

The Shark Well-Governed
(Spring, 2008)

“Your woraciousness, fellow-critters, I don’t blame ye so much for; dat is natur, and can’t be helped; but to gobern dat wicked natur, dat is de pint. You is sharks, sartin; but if you gobern de shark in you, why den you be angel; for all angel is not’ing more dan de shark well goberned.”  – Fleece the cook addressing the sharks enjoying the Pequod‘s first catch

Ever ungovernable, we consume ourselves.
Lessons in communion remain unlearned –
The angel is no more than the shark well-governed.
Take it on the tongue, don’t bolt your food – shelves
Of manners crumble unstudied. Ravished,
The voracious alike with the timid,
Dim to priests’ and parents’ drowning limits.
With committed rectitude once lavished
Onto impassioned sloth, teeth-first we delve.

Hours rising to the surface in her
She pushes down as slow children at the pool
Dorsal desire she overtakes, she annuls
In a swallow as though any other
Nursed remorse to weening, discerned
Its gripping, waterlogging gravity
Once she conquered it, flew in brevity;
The angel, no more than the shark well-governed,
Took from her the devouring governor.

Chewing with care, the smallest bite too large
(An angel’s no more than a shark well-governed)
To swallow, the stretch of his jaws returned
What he wouldn’t keep to his charge.
Desired ambrosia for his wingless
Palate too rich for a constricted mouth,
All teeth, to taste. Not content with thin broth,
Tongued and untasted insight sound his finless,
Tasteless memories to depths ungauged.

Alone the shark devours, but even paired,
A strength against its teeth won’t be doubled.
The cage which together you once cobbled
Will not drop again, even had you dared.
The wings you might give will not hold you both.
Angels are no more than sharks well-governed.
Though in beating you might rise, you’ll but churn
The waters of his memory ever loath
To paddle waves he’s ever poorly fared.

In devouring, drowning, or in flight,
We extract ourselves from our own dark teeth
With quills or something duller. Underneath
Dull skies, the only exercise of might
Left rejects the wings, rejects the airborne,
Perseveres in shared gluttony, fastened –
Sharks but angels starved and ungoverned –
To one another as stags to their horns.
Do more than shreds of self remain to light?

The angel is no more than the shark well-governed,
But the angel who of himself devours
Restrains himself not in those eaten hours
Or to the right eating of those he’s earned.
She who dines on herself like the crows
At some unchained promethean liver
Lives not on herself alone, a giver
Of few gifts. We angels of the pond stow
More between wings than yet we’ll let you learn.

In some official capacity spurned
From the common table, angels anneal
Those ligaments between wing and jaw, feel
Truly more than just the shark well-governed.
Ingestion the first step – conversion
Of Matter to energy for the wings –
Brutality the by-product of things
We do, not just to resist reversion,
But to display our widespread wings unburned.

As icons strewed, unnailed by malice
Or time, we gaven images gather
Rust to exact forgotten force, rather
Late recalling lessons turned callous.
The angel is no more than the shark well-governed,
No better than lubricated machines,
Less adept at the task of moving the unclean
From antipathy to their sojourns
Beyond our drearily housed chalices.

When I depart this world unfestooned,
When thankless daily tasks I abandon,
Another my appetite to command,
My wings the water no longer to churn,
On this expansive flesh I shall not feed.
My airborne constructions I have foiled
For a surplus of machines unoiled.
To this earth I’ll be subject, for indeed,
This angel is no more than a shark well-governed.

I belong to a writing group and suspect that I’ll post several pieces here that derive from our exercises. A recent starting point we used was to modernise a fairy tale. I’ve taken Little Red Riding Hood and turned it somewhat inside-out…

A boy of about sixteen carries a heavy carpetbag down a narrow sidewalk that borders a wide treeless thoroughfare. Late morning sun draws sweat from the armpits and back of his cheap black suit. He walks unmolested past office blocks, car dealerships, chain restaurants decorated with plastic foliage. Fumes of leaded fuel fill his nose.

A small late-model car slows as it passes him before parking a few hundred feet ahead. A man gets out of the car and walks with some purpose towards the boy.

The boy registers the man’s light linen suit, close-cropped hair and easy gait. He figures him to be in his late fifties and tries to ignore him.

“Where are you headed, young man?”

“I don’t know, sir.” The formality comes easy. His grandfather always insisted on military address.

“That’s looks like quite a burden to carry without a destination.”

“There must be a fleabag hotel down here somewhere.”

“No money, son?”

Though the man‘s familiarity irks the boy, he replies quickly, “Not enough to waste on the bus, sir.”

“Or a plate of breakfast?”

They stared at each other a moment and finally the boy lowers his gaze. “Let me buy you soemething – get you a seat for a few minutes.”

The boy struggles between a scylla of hunger and a charybdis of having no debt and wanting to keep it that way.

He puts down the carpetbag between his feet and looks into the man’s face. The eyes seem small until he registers how thick the glasses the man wears are, and how nearsighted he must be.
The man catches the hint of the boy’s cocked eyebrow and steps back.

“Young man, I know you don’t need anything. And I don’t want anything from you. There’s a coffee shop a few blocks up. I’m sure they’ll put on a fresh pot if we ask nicely. What do they call you?”

He stares further into the man’s eyes, wanting to to see if the pupils dilate with the hunt, but cannot tell.

“It’s settled then. Let me carry this.” They both reach for the case at tyhe same time, the boy’s hand wrapping around the man’s. His skin feels as though it has never worked or even washed a dish, much less carried a burden. The boy withdraws with some hesitation, as a mollusk into a cracked shell.

Relieved of the bag, he speaks. “My grandfather’s funeral was first thing this morning. If you could call it that. Just the funeral director and me.”

A delivery van with shot suspension squeals by as the older man lifts the case up. The odor of underlubricated metal makes them both wince. They walk a little farther in silence, Without prompting, the boy continues.

“I closed the bank accounts and paid the corner store where gramps had a slip running and made sure everyone in his little book would have no resentment. ‘Debt is resentment’ was his motto. There was barely enough left to plant him.”

The old man almost asks how running tabs and account books with payable balances were different from debt.

The boy looks at him just as his he closed his lips over gritting teeth and sees that there must have been something hard in the man’s life – his front teeth were all ground to the same level. The man looks ahead.

“Hand it back. My arm has had a rest.” The man doesn’t argue, even though their destination is just across the road.

Just keep moving, the boy thought. Don’t go, don’t owe. But the day of walking and the weeks of waiting wear on him and he follows the man into the coffee shop. Its plate glass windows give the boy a nostalgia for something he feels too young to recall.

The force of the air conditioning cools him to a brief shiver as he places his bag by the cracked red velvet of a booth. It is set with four sets of stainless wrapped in cheap paper napkins, heavy cream-colored ceramic mugs, and short red plastic glasses. He sits at one end and smells the pumice a hidden cook scrapes across a hidden grill. Pumice mixed with scrapings of egg fried in too much grease.

He inhales again to clear his nostrils of that smell, like grampa’s kitchen before the hospice help scrubbed it clean and the apartment smelled only of bleach and the odors of dying old man that bleach never really cleans.

He looks at the old man who has sat down across from him. His ears seem to open wide, as if they could swallow his words.

A waitress the boy thinks is in her late 20s comes to them bearing two pitchers. Black curls escape her barrettes as she drawls “Regular or decaf?” The old man covers his mug, but asks “is it fresh?”

“Just brewed new pots,” she says as she tries to blow a curl out of her eye.

“Regular for the boy, and some tea for me. And proper milk as well, miss.”

As she pours the coffee, she adds, “Specials are the chicken-liver omelette, jack cheeseburger, and forest fruit pie,” before turning her back on them.

“Keep talking, young man.”

The boy looks up and the ears seem even larger and the eyes behind the thick lenses more intent. He sips his coffee and suppresses a shudder at its bitterness. “Debt is resentment, son,” he heard in his grandfather’s nicotine-stained voice. “Never owe or be owed if you can help it.” Had that codger given him no more wisdom than a piece of reheated Shakespeare? He searched the stones in his belly for something else to guide him and found only those same featherless words.

If my words cost him coffee and some AC and maybe a slice of pie, what debt is there, really?

 

I wrote this Summer 2012 for a contest held by Dazed and Confused Magazine. They had published a dozen or so short pieces based on song lyrics and asked readers to submit their own. My song is Was Ist Ist by Einsturzende Neubauten.  Please note that while the paintings in question existed, this is a work of fiction.

She sat up in his bed flipping his box of navy cuts and stared at the dark pastel on the wall as he slept. He sucked at least a pack of the unfiltered smokes a day, but never inside his apartment. Greys and ochres surrounded intertwined white lilies and text she couldn’t translate.

They both had rooms on the same floor of a 1920s Leavenworth Avenue block of apartments. Tenants along each marble hallway shared a bathroom and shower room. Some rooms had microwave ovens, others one- or two-burner hot plates. Hers down the hall was smaller than his but always seemed larger for its lack of what he insisted on calling shit. Two tall stacks of unopened moving boxes took up one corner of the cramped skid row studio. Two ancient steamer trunks and a cheap rolling rack served to hold the clothing he still wore. CDs stood two deep on a raw pine book case, but three months after moving in, he hadn’t unpacked the stereo. Books lay in stacks wherever there was room. A drop-leaf table with one leaf raised supported a laptop and the remains of a midnight snack.

He never swore around her except when talking about the detritus of his marriage. ‘I have all this shit I wish I could throw away.’ She felt it was useless to say, again, “Just dump it”. She’d tried for weeks.

“Michael had one of Jane’s pieces too,” she said when he shuffled awake beside her. Cigarettes tempered her high-pitched voice, but accentuated the long vowels of her Texas drawl.

“I know. Even this long after, I still hate that she gave him one. Is there any coffee?” Venomous, she thought. But her ex and his ex were poisonous people.

“Not as much, I think, as I hated seeing ‘Introibo ad altare dei’ in letters eight inches high in my living room. No. The tin’s empty.”

He recalled that Michael, a grandnephew of more than one Irish priest, hadn’t known the opening of the mass. In the picture she gave him, Jane had intertwined the Latin text for it, I go forth to the altar of God, around a naked form bound with leather straps.

She hadn’t looked at him yet and turned her head away from the picture to ask, “What does that one mean?”

“Nur was nicht ist ist möglich – only what is not is possible.” Jane gave it to him after he split from her. “It’s a reminder of all the world’s possibilities,” she had said. Including, he thought, the possibilty that hate might evaporate to indifference some day. “Sounds better in the German.”

He ran a hand through his dark hair and hooked a pair of jeans off the floor with a crooked finger. He stepped into them without underwear as afternoon sun streamed through a break in the summer grey over his skinny form. He pulled a black tee shirt out of one of the trunks and said, “I’m going to the cafe. Join, or should I get you a large black?”

She picked a folding brush off the crate that served as an end table and made some sense of her short red bob, catching her reflection in the picture’s glass. Replacing it, she replied, “No, I’ll go with you.” She dug her boots and last night’s dress from under the foot of his bed. Slipping them on, she added, “I just want to change into something more daylight.”

Picking her small red clutch off the floor, she fished inside for her keys. Finding them, she set the purse on the nightstand next to the brush.

“You know what I did when I left Michael? I pulled that picture off the wall and smashed it on the floor, left the broken glass and the broken frame and took a razor blade to the paper. I cut out all the letters like a ransom note and spelled out Rot and Die. I epoxied the letters to his favorite shirt. The rest I lit up in an ashtray and left both on his bed. How’s that for possible?”

She smiled and called, “Back in a few minutes” from outside his door.