Archives for category: Fiction

The Infinite Noise is a slightly supernatural queer YA something that includes romance, but mostly not. I don’t read a lot of YA, so I’m not sure how to characterize it. The story follows two neurodivergent high school boys. Caleb is an empath – he can be overwhelmed by the emotions of others. He’s also on the football team. Adam suffers depression and is one of the stars of the debate team.

One thing that grabbed me about this book was the alternating first person narratives. Caleb and Adam are very different but have an endearing quality to their differentness. Adam’s depression has been known to lead to self-harm – it’s nice to read of a boy in this position because this is thought to be mostly a girl’s issue. We meet Caleb before a fight he has after which he blacks out. The fight is the impetus to put him in therapy. There are no spoilers in that – we learn these things about both boys in the first couple of chapters.

Note that this is released as a ‘Bright Sessions Novel’, Dr. Bright being Caleb’s therapist. I’m not sure how I came to this book – my guess is that it was a Tor.com freebie, but it might have been some other special offer. That said, it wasn’t until I read the afterward that I learned that The Bright Sessions started out as an audio drama podcast. This gives the book (and its place in a series that has two more books, both of which have different protagonists) more sense. Because the voices came out of audio drama, they had to be unique. Shippen succeeds admirably in bringing these differences to the page.

I also love the fact that the main characters are queer and that their varieties of neurodivergence are normalized in the context of the story. The parents are concerned, but their concerns are mostly for the health and safety of their kids, not any kind of homophobia.

Even the bully doesn’t have an issue with the fact that the two main characters are dating. It’s a little utopic, but I love how Shippen normalizes the nature of queer love – the focus on all the things they’re dealing with (including all the heavy emotions of the protagonists’ internal states, the emotions of just being adolescent, and some schoolyard violence) isn’t compounded by the fact that they’re queer. The queerness is simply adjacent. But the parents, who are most definitely issue-laden, are cool with the fact that their sons are boys in love.

As the story progresses, what we experience is a courtship and burgeoning relationship that captures adolescent angst about these things in a way that feels especially accurate. It certainly brought to mind the ups and downs of my own adolescence, in a bittersweet way.

The trick with stories like this, comprised of first-person internal monologues, is that you have to want to be in the characters’ heads, even when they don’t want to be in their own heads. It’s a feat to make that emotional rollercoaster attractive and inviting and Shippen makes it work.

I really like Caleb and Adam, so I’m not sure how I’ll feel about the other books in the series. I’m curious about the original audio drama that gave birth to the stories. A couple of episodes of The Bright Sessions are waiting on my phone.

Victory Day is an elegant and worthy conclusion to a fascinating series. It’s been a real ride following this story’s progress since I read an early version of Battle Ground two years ago.The storytelling gets tighter and tighter the farther along we get. There’s always been tension between the twin antagonists, even when one was in London and the other in Edinburgh, but Churcher ratchets it up in this concluding volume. Bex (‘The Face of the Resistance’) and her former trainer, Corporal Ketty, again tell their sides in short alternating chapters.

In some cases, those chapters are less than a page each, and the sequence in which Bex meets Ketty for the first time since False Flag (book 2) is one of the most heart-racing things I’ve read. I give nothing away by indicating that both have guns and shots are fired.

RMC-BG5-VDI especially liked how this book succeeds in making both Bex and Ketty more sympathetic characters than they were before. Bex had become less likable the more she resisted her role in the bigger conflict at play. Ketty, on the other hand, elicits more sympathy from us the more she learns about the nature of the forces for whom she’s working. This is an especially difficult trick for Churcher to have pulled off – the sheer sadism of some of Ketty’s behavior makes her about as likable as a Bond villain. (She pays a pretty stiff price for her redemption in a sequence that’s oddly, and appropriately, parenthetical in her journey.)

While there’s the tension of the two narrators facing each other as everything they’ve worked for comes to fruition or falls apart, depending on how you look at it, there’s a roll call of supporting characters who we experience through the eyes of both of the narrators. It’s really hard to write this without giving spoilers, because when I say Ketty has an interview with Person X, you readers of books 1-4 will say, ‘Well, it’s not necessarily surprising, but wait a sec, how did we get there?’ You just have to drop a few pounds to find out.

It was really interesting to reread this in its final form, having proofread early drafts of each book. This series takes up the mantle of many other dystopian series of being a warning, not a manual. As times have started to catch up with what was initially a (more) far flung future, some aspects of the books are difficult to read. I’ll be honest: It’s taken me longer to read each book (and not just because Victory Day is about 40% longer than Fighting Back) because I can’t read these things before sleep or in the middle of the night. There’s the page-turning aspect, for certain, but also heartbreaking nearness of what Churcher is confronting. With the UK becoming, it seems, less compassionate and more like the US in how it divides the rich and poor, the idea of a conscripted home force, for example, has almost entered the realm of possibility.

Go over to Taller Books to get the whole set.

Note: I received a free advance copy in exchange for an honest review.

When we left Bex and Ketty, the protagonists of Rachel Churcher’s Battle Ground series, they were both relatively safe, but Bex’s mother was in Ketty’s clutches down in London.

Bex and her friends, having made it to Scotland to join the Opposition In Exile (OIE), want nothing more than to find a way to attack England’s military government and rescue those who are imprisoned.

At the same time, Ketty is trying to maintain and advance her own career without sacrificing what little integrity she has and without angering the few people who have the power to boot her from the army back to her father.

Separated by several hundred kilometers, Bex and Ketty continue to show a strange doppelgänger nature to their characters. Ketty seems to be the master of her own fate, but knows how tenuous her position is. She remains at the mercy of several military leaders who all have their own agendas. The tension in the story comes from her growing realization that everyone around her seems to know more about her situation than she does.

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Bex, at the same time, isn’t at the mercy of the OIE or the Scottish government, but is under the strict control of both.Her friend Jake, who tries to break this control, finds himself with no freedom at all for much of the story.

In this continuation of Battle Ground, we recognize that Bex is strong and knowledgeable and creative, but still very much a teenager. At the beginning she is unwilling to recognize or bow to the various binds the so-called grownups are in. As the book progresses, she finds her way into the various organizations that have control over her and begins to wield some greater influence. I found this a welcome evolution of her character.

Ketty spends a lot of time still wondering if she’s working for the bad guys, trapped in her situation, but also maintaining her ‘iron fists and steel toecaps’ attitude to the people in her own control.

Churcher does a nice job of setting the reader out at sea with her characters. They tread water, they identify the lifeboats and occasionally realize that the people in the lifeboats are feeding chum to the sharks.

Though it starts a little slowly, the climax of the Fighting Back is (like Darkest Hour), wonderfully cinematic. And as much as I’d like to delve into a proper critique, you just have to read it. Any hints I give would give too much away.

Go over to Taller Books to get all four volumes.

Note: I received a free advance copy of the book for this review.

 

I recently grabbed an e-book of Arthur C. Clarke‘s classic SF novel Childhood’s End on a whim. I remember being fascinated by the final sequence and it’s one that has stuck in my head since I was about 14.

The story holds up even if the prose doesn’t so well. The characters and their motivations are often flat. The rigid gender roles and racism are especially striking. While they may be reflective of the early 50s when it was written, they’re jarring now.

The plot is possibly well known. Aliens (‘Overlords’) come to Earth and stop humans in their tracks just as the space age begins. You won’t go into space, they’re told, but we’ll end the wars and the cycle of poverty. All of this in advance of an epochal change in humanity.

Weaving around the lives of four characters, Karellen, the Overlord supervisor; George and Jean Greggson, a couple whose children are the first exemplars of the change in question, and Jan Rodericks, a doctoral student of mixed heritage who manages to stow away on an Overlord ship to their home planet, the novel offers multiple perspectives on humanity’s last days and decades.

From the opening conflation of Earth’s first proposed journey to Mars with the arrival of the Overlords, we’re at every moment on the verge of something great that is subverted by the overarching history playing out.

As I came to the end, I was most struck by how Clarke’s story reflects how all of our predictions for business or security or war in any coming period are subverted by how reality plays out – think of our headlines about how we might support the world’s population or protect the wildlife we have left. What we thought the future would hold a decade ago or half a century ago bears no resemblance to the present we have.

Dutch edition of Childhood’s EndThe failures of the book also include an awful lot of exposition used to get across the science necessary to the plot, but these are overshadowed by the poignance that interweaves the lives of these characters. Kerallen tells us that his race has overseen the apotheosis of several other races at the behest of what he calls the Overmind, but that the Overlords will themselves never achieve the same. George experiences a double loss, that of his children to the the change that overcomes the last generation of humans and that of the possibilities with his own wife.

‘George looked down at her with sympathy, but nothing more. It was strange how much one could alter in so short a time. He was fond of her: she had borne his children and was part of his life. But of the love which a not clearly remembered person named George Greggson had once known towards a fading dream called Jean Morrel, how much remained?’

When Jan prepares to leave Earth, he sends his sister a letter in which he expresses how little holds him to the people he know, who will all be dead when he returns in 80 years. With this storyline, Clarke cleverly engineers both a witness to the Overlords position in the cosmos and a human narrator for the end of the story. If you’ve never read it, I don’t want to give anything away, and if you have read it, I urge a rereading.

The second novel in Rachel Churcher’s Battle Ground series is a real treat. The scenario is already familiar to readers of the first novel (also called Battle Ground), but now told from the perspective of Ketty, that book’s antagonist. The deal with Ketty in the first book is that we don’t know what makes her evil, we only have Bex’s perspective, and Bex is a relatively good teenager who looks after people. Ketty only looks out for number one. She, along with her colleague Jackson, applies ‘iron fists and steel toe caps’ to maintain her position as Lead Recruit at Camp Bishop, but we have little idea why.
False FlagI won’t be spoilery if you haven’t read Battle Ground, but, this book makes the most sense if you know the other side of the story. (Go over to Taller Books to get it.) Set in a near future England increasingly under martial law (and looking more and more like peri-Brexit Britain), young people are kidnapped into military service to be the government’s ‘front-line dolls’ in its fight against homegrown terrorists (also known as people who want to see Britain returned to democratic rule). The school friends who form the core of the first book’s story don’t take lightly to Ketty’s every-soldier-for-herself method of training and insist on helping one another.
Opening False Flag, we find ourselves looking at the arrival of Bex and her friends at Camp Bishop through Ketty’s eyes and quickly learn why she’s the one assigned to train up/torment new arrivals.
In contrast with the conscripted recruits we learn about in book one, Ketty joined up the first chance she got in order to get away from an alcoholic, abusive father. She learned her discipline the hard way, keeping out from under her father’s anger and violence. Whereas Bex had a loving but slightly difficult home life and friends to lean on for emotional support, Ketty knows that people are only stepping stones to get to the next level and depends only on herself as far as she can.
At its heart, Churcher shows us that Ketty is in many ways everything that Bex isn’t. Bex insists on caring for all those around her while Ketty seems to care only about herself.
The violence that Ketty and Jackson inflict on Bex and her friends is demonstrably sadistic, but we get more and more of the reasons why. Not that we necessarily find her any more likable, but that’s part of the fun.
While these books focus on young adults, the situations and the ways in which Churcher handles them are, by necessity, very grown up. This should appeal to all fans of dystopian fiction (or, as some folks are calling it: Current Events).
Note: I received a free advance copy of the book for this review.

More info at Taller Books.