My friend Craig, a journalist, world traveller, and scholar, made two interesting points in a recent FB post about Middle East terrorism. The first: While there is “no philosophical connection between Islam and terrorism…there is a very strong connection between Saudi Arabian Wahabist Islam and terrorism.”
Wikipedia offers that Wahhabism is a fundamentalist sect of Sunni Islam. Adherents consider the term Wahhabi derogatory and prefer Salafi. Its 18th century founder, Mohammad bin Abd Al-Wahhab allied himself with Muhammad bin Saud whose name might recall to you the current ruling house of Saudi Arabia. Today Al-Wahhab’s teachings are state-sponsored and the dominant form of Islam in Saudi Arabia.
oil-rigToday Wahhabism is considered an ultra-conservative Saudi brand of Salafism whose adherents brand non-Wahhabi Muslims apostates. One of the main things to note, however is that while Wahhabis are only about 23% of the Saudi population, they control the holy cities of Mecca and Medina.
Craig’s second point: That Wahabist extremism and the rise of western Islamaphobia share a root cause: “the utter cowardice of Western powers when it comes to challenging Saudi’s policy of exporting religious extremism.”
As purchasers of Saudi oil, and sellers of Saudi-bought arms (a trade in which France has a disturbingly long history), we are complicit.
Of course this whole discussion is on Facebook and I’m not necessarily privileged to copy it here in full, but in the comments Craig answers a question put to him on the matter: Does religion trump economics? with a resounding Yes. “The codification of a culture’s most cherished values – whether expressed as a concept of God or as a doctrine  of Human rights – does, and indeed must, trump economics…If we acknowledge economics as being the repository of our culture’s most important guiding principles, then we have already lost.”
Precisely. There are several directions one could go with this discussion including how our society’s wealth of all kinds is distributed, but this clash of religion and economics raises an interesting question: Is the current state of Saudi oil pricing an attempt to destabilise western economies? From my very non-expert point of view, this could be almost as, if not more, effective than our wars that destabilise Middle East regimes.
Mind you, one of the more seriously affected regimes is that of Mr. Putin in Russia. The governing elites derive most of their power from oil revenue and Putin very early on made the case that Russia would not be sharing the benefits and risks of its natural resources when it blocked attempts by to sell industries to the west. In December, The Independent asserted that this change in fortune might mean that Russia “may not be able to afford to wage her little wars.” (Falling oil price benefits consumers in the West but comes at a  high cost to global stability, 20 December 2014) I fear this is not the case – Russia’s resources, ambitions, and economic instability make the country one of many fine starting points for the next big war.

 

Some friends are having a pretty vehement discussion over on Facebook about Charlie Hebdo, the Je Suis Charlie movement (if one can call it that), and the nature of privilege when it comes to old straight white males viciously lampooning minority populations.

Je suis CharlieNone in these discussions felt that violence was justified, but a couple have pointed to what might be called the bullying of the Charlie Hebdo cartoons. It’s more nuanced than taht, to be sure, but they acknowledge the power differential between, for example, the French muslim population and the white majority. The host of this discussion included this in her analysis of the situation:

Imagine you have a neighbour, living next door. Imagine that every morning, you leave for work at the same time. Your neighbour greets you, compliments you on your outfit, says something nice about the weather and wishes you a good day. Assuming that these sentiments are genuine, and that your neighbour is not simultaneously inflicting wild all-night parties or boundary disputes on you, then I would assume that you are living at peace with your neighbour.

But what if, every morning, you and your neighbour leave for work, and instead of compliments, your neighbour always finds something about you to laugh at. Maybe you choose not to wear makeup, or your job requires you to wear jeans rather than a suit, or your uniform is specified by your employer. Every morning, your neighbour points and laughs, because he or she fundamentally does not understand your situation, finds it threatening, and tries to rid you of your perceived power and difference by poking fun.

Are you living at peace with this neighbour?

So in light of this discussion, I asked my French muslim colleague, a young woman from northwestern France, “What do you make of the Charlie Hebdo situation?” to which she asked me to be more specific. “What do you think of the Je Suis Charlie response to the massacre of the Charlie Hebdo journalists?” Her reply was essentially one of support for Charlie Hebdo – “Listen, they attack everyone. No group escapes them – Catholics, Jews, liberals, conservatives.”
It may make a difference that she’s university educated, middle class, and liberal. I’m not sure.

Mehdi Hasan, a journalist for the Al Jazeera and the Huffington Post, on the other hand, shares
As a Muslim, I’m Fed Up With the Hypocrisy of the Free Speech Fundamentalists, in which he takes on the politicians, journalists, and celebrities embracing Je Suis Charlie. Money quote:

Lampooning racism by reproducing brazenly racist imagery is a pretty dubious satirical tactic. Also, as the former Charlie Hebdo journalist Olivier Cyran argued in 2013, an “Islamophobic neurosis gradually took over” the magazine after 9/11, which then effectively endorsed attacks on “members of a minority religion with no influence in the corridors of power”.

Good point, that. This discussion will continue, but I had a few points to add.

I was listening the other day to the 5 January podcast episode of The Young Turks, a left-wing political chat show. In this (pre-Charlie Hebdo massacre) episode, the hosts were discussing the reaction to a celebrity posting photos of herself taken in an Abu Dhabi mosque. Cenk Uyger and Ana Kasparian both came down pretty hard on the Islamic response to the photos Selena Gomez posted. Cenk reported that Muslims found her levity and the display of her lower leg in holy place disrespectful. Their feeling was that the Muslims were being too hard line about it and that they should lighten up. Ana agreed and went on to recount her own experience being turned away from the Sagrada Familia in Spain for not having her shoulders covered. She noted that the requirement seemed to be more about sending business to the scarf seller across the street than about respect. She continued that she’d rather not visit a place that required more clothing than she was willing to wear, but was disappointed because she was a fan of Gaudi, the designer of the church.

Fair enough, I suppose.

As noted previously, I’m an atheist. I also have beefs with most of the organised religions of the world as long as my arm. That said, I have also visited holy places in many countries. The big ones let you know outside the rules for entering. Some ask you to leave your shoes at the door, some ask you to cover your head. Others kindly request that you not take pictures. The decorum requested is not secret and is generally included in any tour guide for for the region you are visiting.

At 28, Kasparian is young, but old enough to respect the rules of another person’s house without denigrating the person, the rules, or the house. According to her Wikipedia entry, she holds a bachelor’s in journalism and an MA in political science. Surely somewhere in all that education something like this must have come up, atheist or not.

Those with political axes to grind on all sides point to the disrespect shown by members of the other side. During the Bush years, I recall a photo of Dick Cheney at a service commemorating the liberation of Auschwitz in a green parka, surrounded by folks in black. We had a field day with that, as (IIRC) it wasn’t long after the hunting incident in which he accidentally shot a buddy in the face. To wear what was basically hunting gear was seen as massively disrespectful. (I err: The hunting incident was in 2006, the other was in 2005.)

In a similar vein, we on the left had words for World Bank President Paul Wolfowitz when he, very respectfully, removed his shoes before entering a Turkish mosque and displayed the large holes in his socks. Interesting clothing for a man earning almost 400 grand US. At the time, I felt he also didn’t do his heritage any favours by so obviously living up to the caricature of a miserly Jewish banker.

How you dress and how you behave as a representative of your culture, your country, and yourself says a great deal. Gomez didn’t necessarily ask to be a role model, but having been in the public eye since she was 15, I think she has. It’s not much to ask, perhaps, that she show the same respect in a foreign house of worship that she would in her own. And that our journalists demand the same.

I say nothing controversial when I say that violence committed by people claiming to represent one religion or another is on the rise.
People claiming to represent the Jewish people commit violence regularly in the name of Jews. I’m looking at you Netanyahu. In Russia,  violence against gays has the approval and promotion of the Orthodox church. And we have the massacre of journalists in Paris this week accompanied by shouts of ‘The prophet is avenged.’

I’m saying nothing new either when I say that all people of faith must stand up and declare these actions anathema and that those who commit them do not represent the faith. This is especially true in the west.

Does your church claim the right to persecute its gay children? Speak out. Does your rabbi speak against Islam as if all Muslims are the same? Speak. What does your imam or priest utter ex cathedra that contravenes the basic tenets of your faith? Speak!

And, yes, it’s easy for the atheist to rattle on ad I do. I say now that when my fellow atheists  talk of ‘the faithful’ as if they are all one thing, I too will speak.

If we are not here to love, then why are we here?

 

The first point to make perfectly clear is that the act of which Roman Polanski is accused (and to which I believe he has admitted guilt, though I’m not certain) is indefensible. As indefensible as what Prince Philip is accused of this week.

It also occurred in the 1970s.

Calling Hollywood at the time a very different place is an understatement. I don’t even refer to what was published in the tabloids, but what Hollywood produced. I recently saw a publicity still from the 1980 film Little Darlings about two 15 year old girls vying over who will lose her virginity first at summer camp. I’m not certain this movie could be made with that precise premise today. I’ve not seen it since it was first on cable TV. The same is true of A Little Romance (1979), Rich Kids (1979), or Foxes (1980).

These four had a distinct influence on my adolescence, though perhaps A Little Romance is the odd one out because it addresses teen love without being overt about sexuality per se. The others have central plot components that hinge on teenage or pre-teen sexuality. This is especially true of Rich Kids in which the protagonists are twelve. In Foxes, the lead characters are all dealing with coming of age in different ways (but are for the most part at least of their majority).

Paul Thomas Anderson’s 90s film Boogie Nights shows much of what film life in Hollywood in the late 1970s was about. Yes it’s a fiction about the porn industry, but shows a little about the behind the scenes fantasy that was film in general at the time.

Other notable films that engaged in teen or pre-teen exploitation included Louis Malle’s Pretty Baby (1978) and Blue Lagoon (1980). My notes indicate Caligula as well, but Caligula (which I only know by reputation) is of interest because it was essentially a porno (produced by Penthouse magazine founder Bob Guccione) with duped major league actors (including John Gielgud, Peter O’Toole, Helen Mirren, and Malcolm MacDowell).

Blue Lagoon‘s paper-thin plot revolved around two youngsters (played by Brooke Shields and Christopher Atkins) shipwrecked somewhere tropical who grow up with only each other for company after the one other survivor (played by Leo McKern – how do I remember this stuff?) drinks himself under with a washed up keg of rum. There’s sex and nudity (though I recall a defense made because Shields’ boobs were played by a body double).

prettyBabyPretty Baby, which starred Susan Sarandon as madame of a (New Orleans?) brothel in the 1917. Again, it’s not one I’ve watched in a long time – probably 20 years. I recall that one plot point involved the auction of one prostitute’s virginity, possibly that of the girl played by (again) Brooke Shields.

The thing about these movies is that they’re from a relatively long time ago. Note that (going back to my opening), I don’t believe there should be a statute of limitations on crimes against minors. My question is: has the sexualisation of teenagers (and pre-teens) increased or decreased since then. Or simply changed. I’m no longer the target audience for such films and am more likely to see a Pixar movie in the theatre than one targeted to a slightly older audience. I’m also aware of how much easier it is to get a kid-friendly rating from the MPAA for a violent movie than for a movie with sexual themes. I’m not sure that makes a difference to my argument. I don’t recall the rating Little Darlings received, but I’m pretty sure Rich Kids got a PG, but Blue Lagoon and Pretty Baby were both R. (A comparison of UK and US ratings system can be found here. Just because they had R ratings, however, doesn’t mean they didn’t sexualise the youth in the movies and exploit that in the marketing.

I’m also not saying that the themes of these movies shouldn’t be addressed in celluloid. Just that the way these themes were handled at the time reflected an entertainment industry culture that found it easy to test the boundaries. I should note that the period in question is the first decade or so after the ratings system replaced the Hays Code (a change that itself was a response to the boundary-pushing already happening in 1960s films). The Hays code (enforced from 1934-1968) pretty much meant that any major movie that made it to the big screen was suitable for all audiences. Wikipedia cites Antonioni’s Blow-Up (denied release for nudity) and Mike Nichols’ Who’s Afraid of Virginia Woolf‘s use of language as reasons to categorise movies according to audience suitability.

The administration of the ratings system in the US has a questionable history. The process, if I recall rightly, was always secret, and rarely did the committees rating the movies provide reasons why rating A was given over rating B, leaving directors to figure for themselves how to edit a movie to get the rating they were after. My favourite such example regards the South Park movie released in ’99. The original subtitle was All Hell Breaks Loose which earned it an NC-17 (17+, no exceptions) which was the death knell for a film aimed at teenagers. I’m pretty sure the makers were after an R. The more I think about it, the more I’m certain this story is apocryphal, but changing the subtitle to Bigger, Longer, and Uncut earned them the rating they wanted.

A check of Wikipedia indicates multiple issues the studio and producers had with the MPAA, but the title wasn’t one of them. It took a lot of back and forth, however, to get the desired rating. Another film that faced similar issues was Stanley Kubrick’s final film, Eyes Wide Shut. The solution there involved obscuring a couple of participants in what might have been an orgy.

Note that South Park and EWS had vastly different target audiences and that neither sexualised young people. In the movies, the last couple decades seem to be a little different in that regard than the years that preceded them.

I participated last week in a discussion on the relative merits of Frozen. (Do I need to link to Frozen? I hope not.) Yes, this seems like a big left turn, but hold on. One friend argued that focus in the movie on the relationship between the sisters was markedly different than that of previous Disney movies in which the goal of getting a prince was paramount. She continued that the way the movie handled the central theme of actively rejecting parental restrictions on expression empowers young women to acknowledge and overcome their own experiences in this regard. This may not be apparent now, but wait until this generation of six year olds hits adolescence.

In short, I agree with her, but with the caveat that this depends on how much other Disney product young Frozen fans are exposed to. I occasionally end up on the treadmill at my gym that faces the TV tuned to the Disney channel. (Other choices are TLC, Discovery, and some Dutch channels.) While I don’t listen to the TV audio when I’m on the treadmill (I have to have music or there’s no motivation), I’m always drawn to the video monitors. Live action Disney programmes really trouble me for the way teen and pre-teen girls are depicted. I know sound like Tipper Gore at the PMRC hearings when I say that the way girls are made up and behave on these shows disturbs me. I’m childless, but certainly wouldn’t want my nieces (who are brilliant and not easily swayed by such things) to dress or behave that way. A visit to disney.com redirects for me to disney.nl, but clicking on a link for Violetta, one of the first shows listed, seems to make my point even if I’m doing a poor job of it. I’m sure there’s more to say on this, but I’ll leave it here for the moment.